Fantasy trilogy by Philip Pullman. Pre-teen Lyra Silvertongue originally Belacqua, but she soon disowns this name due to the events of the first book lives in an alternate, Gaslamp Fantasy world Zeppelins! She leaves her life as a wild child roaming Jordan College, Oxford, not actually a real Oxford University college, but this distinction is intentional, to go on a quest to save her best friend who has been kidnapped. Lyra encounters a boy from our world named Will Parry, and the two of them find themselves involved in a war involving all worlds that will change the very fate of The Multiverse and all who live in it
But where does this philosophy come from, and does it hold up under scrutiny? At Existentialism in the dark knight, the Jedi Way is a synthesis of three Eastern religions or philosophies, with an overlay of courtly behavior drawn from the medieval knights of Europe.
There is no deity as such in Taoism, which conceptualizes ultimate reality as a primal energy. These forces are neither good nor evil, and what is desirable is that they be in balance at all times. Qi is found in all things, but particularly living creatures.
The manipulation of qi is at the root of many traditional Chinese practices including acupuncture, feng shui and tai chi. The second major source of the Jedi Way is Buddhism, specifically Zen, a variant found largely in Japan. The ultimate goal is to reach a selfless state of dispassionate compassion for all living things.
Like the Jedi knights, Buddhist monks are ascetic and celibate. Zen monks are known, at least in the popular imagination, for developing a particular ability or craft to the point where it can be practiced with no conscious effort and nearly superhuman skill.
The third major source for the Jedi worldview is Zoroastrianism, an ancient Persian religion which viewed the world as an eternal battlefield between the forces of good and evil. Although Zoroastrianism has only small pockets of practitioners left in the modern world, it was a major influence on many other philosophies and religions.
Echoes of it are present in many places, including the way many modern Christians conceptualize the devil as a force opposite and nearly equal to God. Finally, the Jedi philosophy is overlaid with a code of chivalry based on that practiced by the medieval knights of Europe, who operated by a code of ethics including strict rules for combat, high standards of courtesy, warrior virtues such as honor, loyalty and bravery and a veneration of courtly love.
The remarkable synthesis Lucas achieved in placing together these disparate elements has proved compelling for more than one generation of viewers. However, as a workable philosophy it has major flaws.
The first and most subtle of these is the conflict between Taoism and Buddhism. Although often linked in real life, Taoism and Buddhism do not always line up. In addition, the Buddhist seeks to transcend the world and earthly existence, whereas the Taoist seeks to be fully integrated into the world as a part of nature and natural existence.
In the movies, this becomes an issue in the way that the Jedi Council is aloof and independent from politics, yet simultaneously also deeply involved in the galactic political landscape.
The second conflict is between Taoism and Zoroastrianism. Neither Yin nor Yang is preferable, and both are necessary, as apposed to Zoroastrianism, where the ultimate goal is the triumph of good and the eradication of evil. The third conflict is between Buddhism and Zoroastrianism.
Again, the concept of a fight between good and evil is somewhat alien to Buddhism. A fallen Buddhist would not be an equal and opposite force to a good Buddhist, but simply someone who had become too caught up in the illusions and the material temptations of the ordinary world.
A person of this sort might be cruel, venal and selfish, but would not be expected to have any particular spiritual power. This creates a paradox in the movies, in that the Jedi draw power from controlling their emotions, but the Sith draw power from their inability to control their emotions.
In addition it creates another instance of cognitive dissonance as the wise and dispassionate Jedi choose over and over again to resolve their problems through violence.
The final conflict is between Buddhism and chivalry. Buddhism preaches non-attachment, but one of the key characteristics of the medieval knights was passionate attachment. Also, in as much as chivalry stems from Christianity, it carries the idea of love as a powerful redemptive force. This disconnect creates some of the most powerful paradoxes in the movies.Slavoj udiueekus Pervertus Guide to Ideology Decodes The Dark Knight and They Live Wow!!!
Human nature to control, or the illusion of control: Mother, and Father providing for their children, Government looking out for the good of the people, the problem with this is it requires some faith by the child, or the people.
The Dark Knight of Faith. Towards what teleological end? Delivering stone cold one-liners of course. This comic is a bit of a mash up of a lot of Kierkegaard's thought. You can read more about Kierkegaard on despair and anxiety (which he called the dizziness of freedom).
Briefly, he thought people who tried to ignore or distract themselves from. Authenticity is a concept in psychology (in particular existential psychiatry) as well as existentialist philosophy and aesthetics (in regard to various arts and musical genres).
In existentialism, authenticity is the degree to which an individual's actions are congruent with their beliefs and desires, despite external pressures; the conscious self is seen as coming to terms with being in a.
Archetypal/Myth Criticism. A form of criticism based largely on the works of C. G. Jung (YOONG) and Joseph Campbell (and myth itself).
Some of the school's major figures include Robert Graves, Francis Fergusson, Philip Wheelwright, Leslie Fiedler, Northrop Frye, Maud Bodkin, and G.
Wilson Knight. INTRODUCTION by Edward Waterman. Presented here in its entirety is Don Herron's famous essay, "The Dark Barbarian." This essay first appeared in the book of the same name, The Dark Barbarian, and was first published in This book, and the excellent essays within, were the first to take Robert E.
Howard and his work seriously and to consider Robert E. Howard a major literary figure. This analysis explores Batman Begins and The Dark Knight as up-to-date pictures of modern existentialism, embodied by Bruce Wayne’s journey through fear, chaos and rebirth, mirroring the existentialist advancement through uncertainty to freedom and.